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Posts Tagged ‘retro nouveau animal perfumes’

I’ve been really, really busy this year.  I know it’s only mid March, but for the first quarter, it’s been crazy.  I mean, I’m always busy working on things but this is different.  I’m not sure if it’s just that the world is accelerating… or something in me that’s “making my bees buzz” even more intensely.  No matter.  I like whatever this is.  It also means that I have more Spring launches in my line up than I had originally planned.  But that’s ok, too.

Foxy (digital taxidermy) DSH 2017

I started working on a new animalic almost on the heels of Chinchilla.  The fur accords have really had me jazzed and I am sketching out two new ones with different textures now.  (WHAT FUN!!)  Exploring texture as well as ‘flavor’ in scent is something I really enjoy and get deeply involved in.  With Chinchilla, I wanted the design to feature musk / muskiness as well as a palpable coziness and intimacy.  With Rendezvous it was indolic jasmine and an even more explicit intimacy that I had in mind.  With the newest animal in what I am now calling “my menagerie”,  I had a textural shift and an animalic feature note shift in mind.

Foxy, which will be officially released on my site on April 1, has a few inspirations.  First, of course, is to portray and speak to another animal  note, this time ambergris / amber, which I felt spoke to the color of the red fox perfectly, and to create a slightly more rough and feral fur accord.  The second source came from the time I’ve spent this past winter watching Wes Anderson’s “Fantastic Mr. Fox” with Xander.  I REALLY love bringing my experiences with him into my art practice… he is a continual source of inspiration.  (See Vert et Noir for some more fun 4 year old inspiration in fragrance).  The movie is a delight, if you haven’t seen it.  And although there are some themes that don’t seem suitable to a 4-5 year old, there’s a lot to enjoy.  From my perspective, I loved the (always) attention to detail in the art direction that Wes Anderson movies contain.  I used some of these fabulous details in the design of Foxy and I think that they work well in telling the story of the smart, sexy, creative, wild animals that foxes are.  And stylish… always, intelligent and stylish.

As portrayed above, the very topnote is of the ‘golden star apple” / apple whiskey that Farmer Bean basically lives off of.  And the very next in the line up is Mrs. Bean’s famous “apple ginger snap”, which gives a wonderfully playful introduction to what becomes a much more sophisticated fragrance as it develops.  To balance what could be a densely sweet perfume, notes of mitti attar (a co-distill of baked earth and Indian sandalwood) and Oak co2 extract are brought in to give an effect of their tree / house and how foxes live underground. After all of this fooling around, as it were, in the topnote, it was time to get down to business.

This is where the third and fourth inspirations come in, which is the retro slang term foxy as in “Foxy Lady” (Not that Foxy is at all a feminine fragrance; it’s totally unisex) and a wonderful writer who is sometimes called “Foxy”  (classic fragrances are very much appreciated by him and I am delighted to say his nickname kept coming up as inspiration when exploring fur notes).   The animalics trend seems to have stemmed in part from the great interest of late in the perfume styles and classics of the past and with that comes a retro-nouveau quality that sticks to even new or modern versions of the animalic genre.  It’s difficult to talk about animalic perfumes without bringing up its historical context and pedigree.  And fur fragrances will have that reference to the much more commonplace and accepted practice of fur wearing in the past.  Nowadays, it’s faux fur that is chic; to wear the real thing is to many to condone animal cruelty, but this is not meant to be a political post.

Because I *DID* want a retro nouveau vibe in there (but less Marlene Dietrich and more Farrah Faucet, or even Jimi Hendrix), I gave Foxy a bit more leather, sweat, and skin in the accords I created.  I wanted you to really sense that this is a wild, sensuous animal that could be a bit scratchy in places.

At a time when I know that comfort is needed and longed for, I couldn’t help wanting to make something slightly more provocative.  I’m not sure how it will be received… but I think we can all use some smart, sexy, playful energy in our world, too.   ❤

image credits: some are my own images; other were found and gathered on the web; most were pinned to my “foxy” pinterest board .

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By now I’m sure that most of you have heard about the “new animalics” trend that’s been gaining speed for the last few years.  In case you don’t have a clue as to what I’m talking about, fragrances “of ” and inspired by animals are kinda hot right now.  I’m not at all surprised since the strong interest in vintage / vintage style perfumes has been gaining traction for quite some time and many (most) of those older fragrances are laden with animalic aromatics.  It gives them that luscious body, and sensuous warmth that we’re hard wired to crave.  Certainly some densely animalic perfumes can scare the bejeezes out of the wearer while others seem to purr and softly seduce bringing you ever closer… like moths to a flame, when they smell that olfactory ‘siren song’.  I am definitely one of those vintage perfume lovers who couldn’t be more delighted with this renewed interest in what some might call ‘poopy’ or ‘cat pee’ fragrances.   (I’m sure that warmed you up, right?).

 

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It occurs to me that another avenue into animalic fragrances, especially of the ‘retro-nouveau’ variety, might be the prolonged fervor for oud / oude / oudh perfumes which depending on the quality and the amount of natural aquillaria wood oil used, can be mighty fecal.  Yes, some are down right ‘poopy’.  Not a bad…well, that’s in the nose of the beholder.  Anyway, it seems that if these particular aspects that can be found in botanicals are to your liking then true animal notes (real or synthetic) are not that far away as you journey through fragrance. It’s only a hop, skip, and a furry jump from the more intense oud perfumes to that of the cultivated critter.

 

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There are a number of fabulous vintage fragrances and houses that specialized in more animalic scents but I’m only going to delve into one right now: the House of Weil.  Their main affair was furs.  The fragrances that they are known for came later but most were inspired by, and meant to be worn with, their furs.  Their most famous and longest selling perfume was Antilope and I believe their most sought after fragrance is Secret de Venus (sometimes fetching well over $1000 per bottle on ebay).  Secret de Venus actually started as a bath oil and came in a number of ‘fragrances’ such as Antilope and Zibeleine, but there was later a Secret de Venus perfume developed that to me, feels like the House of Weil’s “Guerlainade’; their fragrant signature base.  It’s warm, ripe, sensuously animalic, and lushly floral in that early – mid – twentieth century kind of way.  Aldehydes are present but not very loud at all which allows the base to rub itself around you like a cat hoping that you’ll scratch it’s ears and belly.  A lesser known Weil fragrance that has long intrigued me is Chinchilla.  Of course, I *LOVE* the name.  And the beautiful silken creatures, so soft and sweet.   I had had this name and some scribbles in my notebooks for some time before the real impetus came to push me toward creation.  Last summer, a lovely young woman came to work part time at my studio whose family name is also Chinchilla.  That was it!  A sign… that the time was right to get to work.

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Especially when making retro-nouveau style perfumes, I love to leave little trails to historical perfumes in my designs.  It’s fun.  And I hope that those that know vintage fragrances will pick up the trail and find my clues.  So, too, with my Chinchilla, I thought about the House of Weil as well as the original ‘Shocking de Schiaparelli’, with it’s dominating CIVET note and honey heart.  Most importantly, though, I wanted to really evoke the texture of fur.  That would be something new that these beauties from the past didn’t do.  The furriness and the kind of ‘dusty honey’ quality that came together really sang to me… and I have to admit that I fell in love.   And to my amazement and delight, many others did, too.

So, that was last Summer into Fall… and now I’m working on a couple more to fill ‘my little petting zoo’.    They’ll still be the more contemporary retro-nouveau designs with the vintage calling cards.  I’m having a ball creating these… some a bit more whimsical, some more sophisticated.  All with a little growl, and a purr.

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I’m really happy to share some links to reviews for Chinchilla (with many thanks) to Lauryn at CaFleurbon, Samantha at IScentYouADayCynthia at The Fragrant Journey, Victoria at EAUMG, and Steven at the Scented Hound,

credits: aquillaria aromatic link to wikipedia.org; image for arabian oud perfume found here; house of weil links at fragrantica.com, shocking de shiaparelli link at fragrantica.com; image for weil furs found on pinterest; chinchilla de weil extrait image found on our instagram. (please feel free to follow! 🙂 )

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